CREDITS
Concept, Direction & Choreography
Jasmin Vardimon MBE
Created with & Performed by
Joshua Smith, Olga Clavel, André Rebelo, Jasmine Orr, Kieran Shannon, Silke Muys, Patricia Hastewell Puig, Lucija Božičević
Artistic & Visual Advisor
Guy Bar-Amotz
Set Design
Jasmin Vardimon MBE
Lighting Design
Amadeo Solernou
Costume Design
Abigail Hammond
Sound Design
Jasmin Vardimon MBE
Sound Researcher
Peter Hall
Music Credits
Arca, Edvard Grieg, Royal Philharmonic Society, Beecham Choral Society & Sir Thomas Beecham, Silver Mt. Zion, Fabienne Audéoud, Pharmakon, Nico Vega & Sonny Bono, Mario Viñuela, Vidia Wesenlund, Ben Frost, Abel Korzeniowski, Aphex Twin, George Frideric Handel, Yoshikazu Mera Japan Philharmonic Orchestra & Shigeo Genda, Chris Watson, Mogwai, Ibrahim Maalouf & Haïdouti Orkestar, Yael Naïm, Shigeru Umebayashi, Wim Mertens ,Mika Vainio & Ø, Luigi Morleo.
Text
Jasmin Vardimon MBE & Joshua Smith
Rehearsal Director
Marilena Dara
Production Manager
Andrew Steel
Production Assistant
Rosie Alexander
Production Technician
Amadeo Solernou
Lighting Technician
Alfie Maroney-O’Brien
Sound & AV Technician
Kostis Pavalopoulos
Campaign Photography
Simon Clark
Production Photography
Tristram Kenton
Graphic Design
Raanan Gabriel
Marketing
EMG Media & Marketing
Press
David Burns
Length
80 minutes
Premiere
3 September 2018 at Gulbenkian
Co-commission by
Sadler’s Wells, Gulbenkian, Kent County Council, DanceEast and Institute of Arts Barcelona, Arts Council England
Thanks to
Kostantinos Mavrantzas, Dolors Sans and the Staff of Institute of Arts Barcelona
Company credits
Patron: Sian Phillips CBE, Bill Knight OBE / Board of Directors: Suzie Leighton (Chair). Sarah Surtees, Chantelle Culshaw, Nick Catliff, Katherine Milliken / Artistic Director: Jasmin Vardimon MBE / Executive Director: Ian Ross / Associate Producer: Frankie Wing / Education Manager: Lauren Baldock / Development Associate: Cecelia Chambers / Marketing: EMG / Press & PR: David Burns / Digital Marketing Officer: Rose Hall / Production Coordinator (Spain): Rosie Alexander / Web Design: Hans De Kretser Associates
ARTICLES & REVIEWS
The Guardian / 23 October 2018
'Darkly atmospheric storytelling. Choreographic cleverness!'
Broadway World / 22 October 2018 ★★★★★
'unforgettable, highly entertaining masterpiece'
London City Nights / 23 October 2018 ★★★★★
'a propulsive, taut and powerfully engaging piece of theatre'
Everything Theatre / 26 October 2018 ★★★★★
'Unmissable!'
Youth Perspective / 23 February 2019 ★★★★★
''Magic permeates the work in its entirety. Moments are imbued with such entrancing grace that I was unable to tear my eyes away.'
'The dancers’ physical strength and acrobatic agility is genuinely jaw-dropping.'
'Should you get the opportunity to go and see this, for the love of God, go. It’s something not of this world.''
Reviewsphere / 22 February 2019
'‘The show offers a dynamic and sudden shift of themes and references from contemporary society to the classical world.’
‘This show is clever visually and choreographically, backed by a conceptual narrative that hardly leaves indifferent.’'
Broadway World / 22 October 2018
'‘Incredibly talented company present another unforgettable, highly entertaining masterpiece’
‘One of the most forward-thinking and innovative choreographers working right now, Vardimon has selected the best of the best to make up her troupe. And she has pushed them to their limits’
‘What sets this show apart from any other dance piece is the company’s impressive ability of storytelling’
‘Even though the centre focus is filled with electric choreography, the background has the same care placed upon it, perfectly completing the dramaturgical jigsaw’
‘Throughout, the entire company shine and it’s a wonderful experience. Celebrating 20 years of creativity, long may it continue’'
Everything Theatre / 26 October 2018
'‘Unmissable!’
‘Raw and real – you couldn’t pull your eyes away from the stage’'
The Theatre Times / 14 October 2018 ★★★★★
'‘A static stage literally comes alive in its various parts–a boat, the plastic on the floor etc.–becoming at the same time a moving environment (a stormy sea), a character-environment (the animal “Medusa,” the jellyfish), then giving birth to the dancers themselves on stage’'
Read moreThe London Magazine / 25 October 2018
'‘Beautifully poetic movements and engaging drama, Jasmin Vardimon has created a unique choreographic voice’
‘A visually stunning art piece. Sensational’
‘The quality of choreography, the passion of the dancers, and the standard of sound and light technicians was nothing less than sensational’
‘The beauty of Medusa is the layering of interpretations and meanings that are built upon the classical Greek myth’
‘Beautifully powerful art’'
LondonTheatre1.com / 23 October 2018 ★★★★
'‘The narrative is harrowing, the choreography is stunning’
‘Challenging. With plenty of food for thought’'
Seeing Dance / 22 October 2018 ★★★
'‘Dance theatre at its very best’
‘The imagery is stunning, and so is Vardimon’s choreography, some of which calls for athleticism and split-second timing, and gets both in spades’
‘The musical collage that accompanies Medusa is about as eclectic as it comes, ranging from opera to chart music everything in between. It supports the action beautifully’
‘Amadeo Solernou’s lighting is super’'
The Wonderful World of Dance / 24 October 2018
'‘Utterly captivating’
‘Medusa’s other-worldly dreamscape. Inspired’
‘Vardimon creates mesmerising images on stage’'
London City Nights / 23 October 2018 ★★★★★
'‘Entertaining and chill-inducing – a propulsive, taut and powerfully engaging piece of theatre that has a palpable intellectual depth’
‘The whole package kicks ass in a sustained and impressively thorough manner’'
Ithankyoutheatre / 26 October 2018 ★★★★
'‘Remarkably innovative movement and narrative’
‘Deft and unusual choreography. Powerful precision ’
‘One of the most impressive moments of human movement I’ve seen on stage’
‘Visceral, vital and violent, Medusa works on the heart as well as the head to leave you questioning and reeling’'
The Jewish Chronicle / 26 October 2018 ★★★★
'‘Vardimon demands a lot from her dancers, and they deliver – movements startling in their originality’'
Read moreBritish Theatre Guide / 23 October 2018
'‘A majestic work of vivid imagery and metaphor, fascinating movement vocabulary, performed by an exceptional cast’
‘Majestic. Vivid. Fascinating’
‘Clever choreography… Intense and sincere’'
The Spy in the Stalls / 23 October 2018 ★★★
'‘Extraordinary skill and beauty’
‘Unbelievably beautiful and potent images, and Vardimon’s dancers are frequently breath-taking’
‘Supreme level of physical artistry’
‘Vardimon is clearly an exceptional talent; not only is she director and choreographer, but sound and set designer too’
‘The company dances at the highest level’'
The Strand Magazine / 15 October 2018
'‘Provocative, avant-garde and unique’
‘Her company is at the forefront of progression and forward thinking in the arts’
‘Choreographic delicacies’'
Fjorde Review / 26 October 2018
'‘Engrossing’
‘Driven by robust, hugely physical performances. …. her company tackles [the story of Medusa] with alluring force’'
DanceTabs / 27 October 2018 ★★★
'‘Vardimon’s work lies in her original choreography – imaginative patterned formations in groups and the innovative use of movement,
multi-layered choreographic poetry unravelling on the stage’
‘Many fascinating choreographic elements’
‘Vardimon’s work is always of a high intellectual, academic quality’'
WhatsonStage / 5 October 2018
'‘Jasmin Vardimon Company (JVC) is one of Britain’s most pioneering physical dance theatre companies, creating work that excites both the eye and the mind by pushing the boundaries of human physicality whilst engaging in universal, contemporary themes that strike an emotional chord.’
‘Vardimon’s powerful art of story-telling integrates multiple layers of communication – combining dance, movement, video, animation, text and music.’
‘Her sharp instincts and keen observations of human behaviour deliver beautifully precise characterisation, powerfully brought to life by her company of versatile dancers. Cast from around the world, each performer brings his/her own unique experience, with dynamic results.’'